Kill the Vultures

Add links
From Wikipedia, the free encyclopedia
Kill the Vultures
Kill the Vultures performing in France in 2013
Kill the Vultures performing in France in 2013
Background information
OriginMinneapolis, Minnesota
GenresHip hop, alternative hip hop
Years active2005–present
LabelsTotally Gross National Product, Locust, F I X
SpinoffsMixed Blood Majority, Roma di Luna
Spinoff ofOddjobs
MembersCrescent Moon
Anatomy
Past membersAdvizer
Nomi
Websiteftoitox.com

Kill the Vultures is an American hip hop group from Minneapolis, Minnesota formed in 2005.

A duo consisting of rapper Alexei "Crescent Moon" Casselle and producer Stephen "Anatomy" Lewis, the group was a spinoff of mid-2000s group Oddjobs.[1] Its 2005 self-titled debut album was followed by a string of albums and EPs into the mid-2010s, most recently 2015's Carnelian.[2][3][4] Kill the Vultures was named 2005's Best Hip-Hop Artist by Minneapolis alt-weekly City Pages'.[5]

Building on the European success of Oddjobs, Kill The Vultures built a fanbase and positive critical attention from music critics in France, Italy, and other European countries. Kill The Vultures was featured on the cover of the July-August 2005 issue of Italian music magazine Blow Up.[6]

History[edit]

Kill the Vultures was a marked divergence from Oddjobs. Both lyrics and sound were inspired by darker, moodier influences. The new direction came out of a feeling that Oddjobs' focus on party music was becoming stale. "After a while, they (Oddjobs' songs) started to lose their meaning", Casselle said in an interview with Twin Cities Daily Planet. "It made us rethink our whole approach and what we were trying to do musically."[2] Lewis told another interviewer that "I was more titillated by dark, psychedelic stuff" than what had driven Oddjobs.[7] Star Tribune music critic Chris Riemenschneider called the band's sound "dark, freakish sonic territory that sounds like hip-hop sent through a metal shredder." [8] Chuck Terhark of City Pages described it as "innovative avant-rap that sounds a little like walking through a tool shed in the dark while carrying a boombox blaring free jazz."[7]

2005: Formation and self-titled debut[edit]

Kill the Vultures was a spinoff of Oddjobs, a hip-hop quintet formed by a group of friends from two Minneapolis high schools. Oddjobs (and Kill the Vultures, later) were part of a regional hip-hop subculture based in the Twin Cities which developed in the mid-1990s and also included Atmosphere and the Rhymesayers collective, Eyedea & Abilities, Doomtree, Heiruspecs, and Brother Ali. The Oddjobs crew moved to New York City and then California as a group to improve their professional prospects in music. When Oddjobs broke up in 2005, four of the five members moved back to Minnesota and began the new group Kill the Vultures. Anatomy (Lewis) and Crescent Moon (Casselle) were the core of the group, which briefly included Oddjobs rappers Advizer (Adam Waytz) and Nomi (Mario Demira) as well. Over time, the fact that only Anatomy and Crescent Moon lived in Minneapolis led to the group winnowing down to a de facto duo.[2] Waytz eventually moved to Chicago, where he became a neuropsychologist at Northwestern University.[9] Demira returned to California, where he formed his own group, Power Struggle.[10][11][12][13]

The group's name comes from a song written by Advizer for Oddjobs, which was later released on Kill the Vultures' debut album. Advizer told an interviewer that the phrase referred to "people in your life who really benefit from bringing you down. 'Killing the vultures' is about preempting those demons."'[7]

Casselle and Lewis were interested in moving away from Oddjobs' comparatively straightforward hip-hop into a darker, more avant-garde direction influenced by film noir and jazz. Casselle said in one interview that this change "wasn't really strategic — 'You know what would be a really good idea? Let's start making really weird music that not a lot of people are into and challenging to listen to.' But I think really we just needed an outlet where we could completely express ourselves freely, artistically, and just do what we wanted to do."[14] The new direction found approval from music critics, such as Twin Cities Daily Planet writer Kyle Tran Myhre, who wrote that "Crescent Moon’s rhymes are darkly poetic and evocative and Anatomy’s beats are unlike anything else in the scene—cracked jazz samples, bone-crunching drums and some really dynamic arrangements."[15]

Reviewing Kill the Vultures' self-titled debut in 2004 for CMJ New Music Monthly, Christopher Weingarten compared the album favorably to Tom Waits' Real Gone, calling it a "dark, brooding mess that clatters with the clanking toys stolen from the Bone Machine."[16] Music website Oddboll called the album "hip hop for John Cage and free jazz fans."[17] The A.V. Club named Kill The Vultures one of the best Minnesota-made albums of 2005, praising its "raw, experimental hip-hop" and the performances of the three MCs, especially the "intense, wild, biting delivery" of Crescent Moon.[18]

The album received positive critical attention in Europe, leading to a string of concerts across the continent and a steady European following.[19]

In its hometown, Kill the Vultures was named 2005's Best Hip-Hop Artist in City Pages annual music poll.[5] The group also placed third in City Pages' annual "Picked To Click" band poll the same year.[7]

2006: The Careless Flame[edit]

Kill the Vultures' second album, The Careless Flame, was released in 2006 on the label Jib Door. Lewis and Casselle were, by this point, the sole remaining members of the band. Careless Flame continued their interest in dark, noir-inflected hip-hop. At the time, Casselle was learning to play guitar and had formed a blues/folk duo, Roma di Luna, with his then-wife Channy Leanneagh. This immersion in roots music led to a blues influence on The Careless Flame. The song "Moonshine" uses a repeating refrain in the style of traditional blues songs, and is lyrically inspired by artists like Tommy Johnson and Son House. The duo kept the simple arrangements used by traditional blues in mind, feeling that they kept the impact of the songs undiluted. Steve McPherson of Twin Cities Daily Planet called it "a resolutely monolithic album. ... It’s like two guys tried to recreate pop music after a nuclear war using only a book of beat poetry and a Duke Ellington 78 played at 33 rpms."[2]

The album was critically well received. Neal Hayes of PopMatters called The Careless Flame "music that lurks in the dark corners of jazz, rock, and Asian music but calls the underground hip-hop scene its home."[20] Reviewing The Careless Flame for the The A.V. Club, Christopher Bahn wrote that the band's sound combined "elements of the raw holler of old-style Delta blues and the jagged clatter of New York's brash punk-jazz scene, with beats that boom like thunder and clank like metal dropped on a factory floor".[21]

French music critic Sylvain Bertot placed The Careless Flame 101st in his list of the 150 most important indie hip-hop albums.[22] The album was also named No. 5 in a list of the top 10 Minnesota records of 2006 in the Star Tribune's survey of Twin Cities music critics. Reviewer Chris Riemenschneider praised the album as "new and inventive" and called the duo "hip-hop's answer to Fela Kuti and Sonic Youth."[23]

2007-2009: Midnight Pine and Ecce Beast[edit]

Minneapolis hip-hop duo Kill the Vultures performs in 2009

The group followed The Careless Flame in 2007 with a short EP, Midnight Pine, which began as the soundtrack for an independent film. The group aimed for a quieter sound, avoiding ambient noise or electric guitar.[24] Lewis told Paris-based website PopNews that the move to a quieter sound reflected his own nocturnal habits: "I live at night. This explains why I spend a lot of time alone and quiet, which has made my music more meditative and nocturnal. Midnight Pine reflects this."[25] French rap website Hiphopcore called Midnight Pine "much more peaceful and subdued" than the "ubiquitous musical chaos" of Careless Flame, and said that Anatomy's jazz-inspired beats seemed "calmer than usual to dress up the dark, almost whispered stories of Crescent Moon in the most beautiful way."[26]

Kill The Vultures' third full-length album, Ecce Beast, was released in 2009. An album about urban alienation as seen through the eyes of a man driven to commit murder, Ecce Beast was more down-tempo and cinematic in approach than earlier work. The title plays off of the Latin phrase "ecce homo," meaning "behold the man," and refers to the protagonist's feelings of rage and self-negativity — thus, "behold the beast."[27] Star Tribune critic Chris Riemenschneider callled Ecce Beast "loaded with KTV's signature brand of nocturnal, gritty, experimental hip-hop."[28] Amoeba Music noted that Ecce Beast's "noisy jazz instrumentals don’t always make for easy listening" but called the album rewarding and challenging "like a drinking session between a poet and a jazz band gone right."[29] French website Chroniques Electroniques wrote that "the ghost of the great Sun Ra hovers continuously over this album, giving it real depth. The multiple instruments used and the many strange sounds appearing out of nowhere are enough to demonstrate the enormous craftsmanship of Anatomy behind each title."[30]

2010s: Carnelian and other projects[edit]

In 2015, Kill the Vultures returned with Carnelian, the duo's first album in six years.[31] The album was released by the Minnesota labels F | X and Totally Gross National Product.[32][33] In an interview with City Pages, Casselle said that the album reflected his personal life, having gone through a divorce and raising a child since the previous Kill the Vultures record, as well as a commentary on the state of the world. Musically, the album features complex, jazz-inflected instrumentation including flute, sax, cello, piano, and gamelan. Rather than use traditional samples, Lewis composed the music himself, recorded it with session musicians, and remixed them into material for the album.[14]

The website Hip Hop Golden Age named Carnelian one of its 100 essential jazz rap albums, calling it "the epitome of (Kill the Vultures') innovativeness, with its ominous use of saxophones, trumpets, flutes, violins, cellos, guitars, double basses, and percussion. This is avant-garde jazz hop at its finest".[34] Carnelian was also named No. 16 in a list of the top 20 Minnesota records of 2015 in the Star Tribune's survey of Twin Cities music critics. [35] Reviewing the record for City Pages, Diane Miller called Carnelian the group's "most ambitious, bizarre, musical, and brilliant record to date," and said that Casselle "raps of injustice, hypocrisy, and evil with conviction, imagination, and confounded relatability."[14] Amoeba Music called Carnelian "essential hip hop listening."[33]

The album was particularly well-received in Europe. English website The 405 praised Carnelian as "the most concise and rewarding album of (Kill the Vultures') career."[36] London-based website The Monitors named Carnelian one of its top records of the year, calling it "adventurously jazzy" and saying that it was "probably the most musically exciting hip-hop album of 2015".[37] Italian music magazine Blow Up called Carnelian " a very hard, dark album with a dense and heavy sound" and said that Kill the Vultures was "a group that still has a lot to say".[38] Italian music website Il Mucchio rated the album 8 out of 10,[39] named it Album of the Month for December 2015, and placed it on its year-end Best of 2015 list.[40] It also made 2015 best-of-the-year lists for the French websites Trois Couleurs and Alternative Radio, Czech music blog Silver Rocket, Italy's Never Mind the Bee Stings, and German website Auftouren.[40]

In 2018, Kill the Vultures earned a McKnight Fellowship for Musicians from the Minnesota-based MacPhail Center for Music. The award recognizes musical artists who have demonstrated a consistent level of excellence over their careers.[41]

Related projects[edit]

See also: Mixed Blood Majority

Around 2004, Casselle formed a folk duo called Roma di Luna with his wife Channy Leaneagh, who would later sing with synth-pop group Poliça. Casselle's interest in folk music was ignited by becoming a fan of Bob Dylan, which inspired him to teach himself how to play guitar, as well as an interest in the blues. Channy, who grew up listening to folk and Americana music, was also classically trained on violin.[24][42] For a few years, Casselle worked on both Kill the Vultures and Roma di Luna simultaneously. What started as just a duo between he and his wife evolved into a larger group of seven, which would record three studio albums—Find Your Way Home (2007), Casting the Bones (2008), and Then The Morning Came (2010)—and the holiday EP Christmas (2010). The two divorced in 2011, also ending Roma di Luna.[43][19][44] Roma di Luna reunited in 2017 and released a fourth album, We Were Made To Forgive, the following year.[45]

Casselle formed another hip-hop group, Mixed Blood Majority, with fellow Minneapolis musicians Lazerbeak of Doomtree and Joe Horton of No Bird Sing.[46][47] The group has shared stages with well known artists such as Sage Francis, P.O.S, Aceyalone, and Slick Rick.[48] The group released two albums, 2013's Mixed Blood Majority and 2015's Insane World.[49][50]

Casselle also fronted a rap/rock group backed by Minneapolis instrumental band Big Trouble, which was called Crescent Moon Is in Big Trouble.[43]

In 2012, Casselle traveled to France to collaborate with Oktopus of New Jersey hip-hop group Dälek, French musician Jean-Michel Pires, and English musician Chris Cole in the electronic-influenced group Numbers Not Names, which released one EP, What's The Price? in 2012 on the French label Ici D'Ailleurs.[51][52][43]

Casselle continues to perform music, but also became a teacher in the 2010s after Roma di Luna's breakup.[19]

Members[edit]

Current[edit]

  • Crescent Moon (Alexei Casselle) - rapper
  • Anatomy (Stephen Lewis) - producer/DJ

Former[edit]

  • Advizer (Adam Waytz) - rapper
  • Nomi (Mario Demira) - rapper

Discography[edit]

See also: Oddjobs discography and Mixed Blood Majority discography

Albums and EPs[edit]

  • Kill the Vultures (Jib Door, 2005)
  • The Careless Flame (Jib Door, 2006)
  • Midnight Pine EP (Self-released, 2007)
  • Ecce Beast (Self-released, 2009)
  • Carnelian (Totally Gross National Product, F to I to X, 2015)

Singles[edit]

  • "Moonshine" (Jib Door, 2006)
  • "The Jackal" (F to I to X, 2015)

References[edit]

  1. ^ Riemenschneider, Chris (September 29, 2015). "Hear new collaborative singles by Atmosphere and Kill the Vultures". Star Tribune. Retrieved October 29, 2015.
  2. ^ a b c d McPherson, Steve (2006-11-09). "Kill the Vultures: Meet the pleasure seekers". Twin Cities Daily Planet.
  3. ^ Riemenschneider, Chris (January 14, 2005). "Johnson, Apple pair up the trios". Star Tribune. Minneapolis–Saint Paul. p. 4E.
  4. ^ Riemenschneider, Chris (February 18, 2005). "Oddjobs' Odd Rebirth". Star Tribune. Minneapolis–Saint Paul. p. 4E.
  5. ^ a b "Best Hip-Hop Artist (2005): Kill the Vultures". City Pages. Retrieved October 29, 2015.[permanent dead link]
  6. ^ "Kill The Vultures". Blow Up. No. 86–87. Italy. July–August 2005. Retrieved 2023-05-29.{{cite magazine}}: CS1 maint: date format (link)
  7. ^ a b c d Terhark, Chuck (September 28, 2005). "You Slay Me: Former Oddjobbers turn dark days into avant-rap as Kill the Vultures". City Pages. Minneapolis–Saint Paul. Archived from the original on 2006-06-29.
  8. ^ Riemenschneider, Chris (November 10, 2006). "Another Atmosphere alum's new gig". Star Tribune. Minneapolis–Saint Paul. p. F5. Retrieved May 27, 2024.
  9. ^ Cannon, Bradley (2016). "Understanding Others With Adam Waytz, PhD". Eye on Psi Chi Magazine. 20 (4). Psi Chi, the International Honor Society in Psychology: 14–17. doi:10.24839/1092-0803.eye20.4.14. ISSN 1092-0803.
  10. ^ De Mira, Mario "Nomi" (2014). "Traveling Man". In Villegas, Mark R.; Kuttin, Kandi; Labrador, Roderick N. (eds.). Empire of Funk : Hip Hop and Representation in Filipina/o America. United States of America: Cognella Academic Publishing. ISBN 9781626612839.
  11. ^ Taylor, Patrick (May 18, 2010). "Power Struggle :: Remittances". RapReviews.com. Retrieved 2023-06-01.
  12. ^ "Power Struggle (2)". Discogs. Retrieved 2023-07-02.
  13. ^ Jost, Matt (2006-01-03). "Power Struggle :: Arson at the Petting Factory". RapReviews.com. Retrieved 2023-06-01.
  14. ^ a b c Miller, Diane (October 23, 2015). "Six years in the making, new LP Carnelian sees Kill the Vultures soar". City Pages. Minneapolis–Saint Paul.
  15. ^ Tran Myhre, Kyle (2012-05-24). "A Twin Cities Hip Hop primer". Twin Cities Daily Planet.
  16. ^ Weingarten, Christopher R. (2004). "Reviews: Kill the Vultures, Kill the Vultures". CMJ New Music Monthly. No. 134. CMJ Network, Inc. p. 43. Retrieved 2023-07-05.
  17. ^ "Kill The Vultures, "Kill The Vultures" (2005)". Oddboll. Retrieved 2023-05-29.
  18. ^ Snively, Jessica (December 16, 2005). "2005: The Year In Music (Loon State Edition)". A.V. Club. Retrieved 2023-06-01.
  19. ^ a b c Hewitt, Gabe (February 9, 2015). "Alexei Casselle of Kill the Vultures back in class for a greater purpose". City College News: Minneapolis Community & Technical College. Minneapolis–Saint Paul. Retrieved 2023-06-02.
  20. ^ Hayes, Neal (2006-11-30). "Kill The Vultures: The Careless Flame". Popmatters. Retrieved 2023-05-29.
  21. ^ Bahn, Christopher (2006-11-09). "Local CD Roundup: Kill the Vultures, The Careless Flame". The A.V. Club (Twin Cities print edition). Minneapolis, Minnesota. Archived from the original on 2006-11-13. Retrieved 2023-08-01.
  22. ^ Bertot, Sylvain (2012-09-27). "INDIE HIP-HOP - 150 albums". Fake For Real. Retrieved 2023-07-05.
  23. ^ Riemenschneider, Chris (January 4, 2007). "Best of 2006: Twin Cities Critics Tally". Star Tribune. Minneapolis–Saint Paul. p. 16.
  24. ^ a b Phara (July 2009). "Kill the Vultures". Hiphopcore. Retrieved 2023-05-29.
  25. ^ Taramini, Luc (October 14, 2009). "Kill The Vultures – Interview". PopNews. Paris, France. Retrieved 2023-06-01.
  26. ^ Phara (April 2009). "Kill The Vultures "Midnight Pine"". Hiphopcore. Retrieved 2023-05-29.
  27. ^ Swanson, Carl Atiya (April 10, 2009). "Interview: Kill The Vultures". The A.V. Club (Decider, Twin Cities edition). Archived from the original on 2009-04-13. Retrieved 2024-04-01.
  28. ^ Riemenschneider, Chris (April 10, 2009). "LOCAL MUSIC: 'Champagne' supermen - Once a side project, the band Halloween, Alaska has survived out of love". Star Tribune. Minneapolis–Saint Paul. p. 1E.
  29. ^ "Kill the Vultures — Ecce Beast". Music We Like. Amoeba Music. Fall–Winter 2009. Retrieved 2023-07-01.{{cite journal}}: CS1 maint: date format (link)
  30. ^ B2B (April 17, 2009). "Kill The Vultures - Ecce Beast". Chroniques Electroniques. Retrieved 2023-06-01.{{cite web}}: CS1 maint: numeric names: authors list (link)
  31. ^ Ugarte, Eddie (October 24, 2015). "Kill The Vultures Share New Album Carnelian". Ghettoblaster Magazine. Retrieved 2023-05-30.
  32. ^ jrode. "Listen to Carnelian, the massive new album from Kill The Vultures, out now - Totally Gross National Product". totallygrossnationalproduct.com. Archived from the original on 2016-03-07. Retrieved 2017-03-06.
  33. ^ a b "Moon & Pollution - The Box Borealis". Music We Like. Amoeba Music. Spring–Summer 2016. Retrieved 2023-07-01.{{cite journal}}: CS1 maint: date format (link)
  34. ^ "100 Essential Jazz Rap Albums". Hip Hop Golden Age. 2022-06-08. Retrieved 2023-06-01.
  35. ^ Riemenschneider, Chris (January 1, 2016). "Twin Cities Critics Tally: Best in Local Music: 'Ones' is No. 1". Star Tribune. Minneapolis–Saint Paul. p. E1, E3-4. Retrieved May 27, 2024.
  36. ^ Cook, William Caston (2015-12-21). "Unlucky In Love, 13 Albums That Deserved More In 2015". Archived from the original on 2016-02-06. Retrieved 2024-04-01.
  37. ^ Carnihan, Kier Wiater (2015-12-24). "The Monitors' 52 Best Albums of 2015". The Monitors. Retrieved 2023-06-01.
  38. ^ Ciarletta, Antonio (May 2016). "Kill The Vultures". Blow Up. No. 216. Italy. Retrieved 2023-05-29.
  39. ^ Locane, Francesco (January 6, 2016). "Kill The Vultures, Carnelian, Totally Gross National Product". Il Mucchio. Archived from the original on 2016-02-14. Retrieved 2024-04-01.
  40. ^ a b "Kill the Vultures' Carnelian International 'Best of 2015' Roundup". F to I to X. 2016-01-14. Archived from the original on 2016-03-25. Retrieved 2023-08-15.
  41. ^ Espeland, Pamela (May 18, 2018). "McKnight music fellows announced; No Territory Band record release at the Black Dog". MinnPost. Retrieved 2023-06-01.
  42. ^ Riemenschneider, Chris (August 31, 2007). "Roma di Luna: A dark, new Moon on the rise". Star Tribune. Minneapolis–Saint Paul. p. 1F.
  43. ^ a b c Riemenschneider, Chris (December 16, 2011). "And then there were two (again)". Star Tribune. Minneapolis–Saint Paul. p. 3E.
  44. ^ Johnson, Cecilia (January 28, 2017). "'Time heals' for Roma di Luna, who've scheduled first show in nearly six years". The Current. Retrieved 2024-04-01.
  45. ^ Swensson, Andrea; Johnson, Cecilia (May 8, 2018). "In-studio: Roma di Luna believe 'We Were Made To Forgive'". The Current. Retrieved 2024-04-01.
  46. ^ Riemenschneider, Chris (November 24, 2015). "Minneapolis rap trio Mixed Blood Majority enters 'Foxes Den' ahead of Dec. 4 album release". Star Tribune. Retrieved 2016-02-10.
  47. ^ Safar, David (January 18, 2016). "Album of the Week: Mixed Blood Majority, 'Insane World'". The Current. Minnesota Public Radio. Retrieved 2016-03-10.
  48. ^ "Mixed Blood Majority". F I X | Hip-Hop Collective. Retrieved 2016-05-22.
  49. ^ Elabbady, Ali (January 24, 2013). "Mixed Blood Majority Review". Reviler. Retrieved 2016-02-10.
  50. ^ Green, Loren (October 10, 2015). "With Insane World, Mixed Blood Majority set out to make 'shit that cuts'". City Pages. Retrieved 2016-02-10.
  51. ^ "What's The Price ? - Numbers Not Names". Allmusic. Retrieved 2023-05-29.
  52. ^ "Numbers Not Names". Discogs. Retrieved 2023-05-29.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Kill_the_Vultures&oldid=1226321736"