User talk:Milesokazaki

August 2008

You should wait for others to write an article about subjects in which you are personally involved. This applies to articles about you, your achievements, your band, your business, your publications, your website, your relatives, and any other possible conflict of interest.

Creating an article about yourself is strongly discouraged. If you create such an article, it might be listed on articles for deletion. Deletion is not certain, but many feel strongly that you should not start articles about yourself. This is because independent creation encourages independent validation of both significance and verifiability. All edits to articles must conform to Wikipedia:No original research, Wikipedia:Neutral point of view, and Wikipedia:Verifiability.

If you are not "notable" under Wikipedia guidelines, creating an article about yourself may violate the policy that Wikipedia is not a personal webspace provider and would thus qualify for speedy deletion. If your achievements, etc., are verifiable and genuinely notable, and thus suitable for inclusion in Wikipedia, someone else will probably create an article about you sooner or later. (See Wikipedia:Wikipedians with articles.) Thank you. Toddst1 (talk) 17:50, 19 August 2008 (UTC)

Some proposed changes

{{request edit}}

Information to be added or removed:

Miles Okazaki is an American musician based in New York City. His main focus is on rhythmic concepts for improvisation, composition, and music theory. His approach to the guitar is described by the New York Times as “utterly contemporary, free from the expectations of what it means to play a guitar in a group setting — not just in jazz, but any kind.”

Okazaki grew up in Port Townsend, Washington, a small town near the Olympic Mountains in the Pacific Northwest. He began music on classical guitar at age 6, and was playing regular gigs on electric guitar by age 14, after studying for several years at the Centrum Jazz Workshop. He received many awards as a guitarist throughout his early years, and eventually placed 2nd in the Thelonious Monk International Guitar Competition.

Okazaki moved to New York City in 1997 to pursue a career in music and begin writing his own material. His teacher on guitar at this time was Rodney Jones, who recommended him for his first gig, with Stanley Turrentine. Okazaki spent four years on the road with vocalist Jane Monheit, while also writing and rehearsing the music for his first album Mirror which was released independently. The album received a “Critics Pick” in the New York Times, calling it “a work of sustained collectivity as well as deep intricacy.” He expanded to a septet for his second album Generations described by pianist Vijay Iyer “the sonic equivalent of Escher or Borges, but with real emotional heft” in Artforum’s “Best Music of 2009.” His third album Figurations was recorded live with a quartet, and was selected as one of the New York Times top ten albums of 2012, described by Ben Ratliff as “slowly evolving puzzles of brilliant jazz logic.” His most recent album of compositions Trickster was released in 2017 on Pi Recordings to wide acclaim, receiving editor’s picks in Downbeat and Jazztimes, landing on Best of 2017 lists in the Los Angeles Times and Pop Matters, and called “a true concept album” by the Wall Street Journal and “a mature work for the ages” by Pop Matters. Okazaki wrote, produced, and illustrated these albums. In 2018, Okazaki released Work, his first album of standard repertoire, a five hour performance of the complete compositions of Thelonious Monk for solo guitar, praised by critic Nate Chinen as “an act of immersive scholarship and exhaustive scope. . . a singular achievement,” and selected by the New York Times as one of the best albums of 2018, a “monumental statement of devotion.”

As a sideman, Okazaki works in many areas, ranging from Standard repertoire to experimental music. In recent years, he has worked with a variety of artists including Kenny Barron, Steve Coleman, John Zorn, Jonathan Finlayson, Amir El Saffar, Adam Rudolph, Dan Weiss, Nasheet Waits, Aka Moon, Linda Oh, Darcy James Argue, Jane Monheit, Vijay Iyer, Francois Moutin, Carl Allen, Ohad Talmor, Mary Halvorson, Jen Shyu, Mark Giuliana, Patrick Cornelius, Rajna Swaminathan, Matt Mitchell, Craig Taborn, Tony Moreno, Ben Wendel, Donny McCaslin, and many others.

Okazaki’s first book, Fundamentals of Guitar, was released on Mel Bay Publications in 2015. He has taught guitar and rhythmic studies at the University of Michigan since 2013. He has also taught at the Banff Institute, The New School, the School for Improvisational Music, Queens College, The Juilliard School, Amsterdam Conservatory, and many other institutions. Outside of guitar, his past teachers include Anthony Davis (composition), Ganesh Kumar (Carnatic percussion), and Kendall Briggs (counterpoint). His awards and grants include Chamber Music America’s “New Works” (2007), Chamber Music America’s “French-American Jazz Exchange” (2009), the Jazz Gallery and Jerome Foundations Residency Commission (2010), the American Music Center’s Composer Assistance Program (2011), the Mid-Atlantic Arts Foundation’s US Artists International grant (2012), the Rockefeller Brother’s Fund Artist Residency (2012), and the Jazz Gallery Mentorship program (2015). He holds degrees from Harvard University (B.A.), Manhattan School of Music (M.M.), and The Juilliard School (A.D.), and lives in Brooklyn, NY with his wife and three children.

Explanation of issue: Current bio is innacurate and out of date. It also contains imaginary words ("jass") References supporting change: www.milesokazaki.com/bio-full/

Milesokazaki (talk) 17:26, 1 September 2019 (UTC)

Some proposed changes

{{request edit}}

Information to be added or removed:

Selected Discography:

Miles Okazaki: Work: The Complete Compositions of Thelonious Monk (2018) Miles Okazaki: Trickster (2017) Miles Okazaki: Figurations (2012) Miles Okazaki: Generations (2009) Miles Okazaki: Mirror (2006)

Matt Mitchell: Phalanx Ambassadors (2019) Steve Coleman: Live at the Village Vanguard (2018) Steve Coleman: Synovial Joints (2015) Steve Coleman: Functional Arrhythmias (2013) Rajna Swaminathan: Of Agency and Abstraction (2018) Mary Halvorson: Paimon, Book of Angels Vol. 32 (2017) Jonathan Finlayson: Moving Still (2016) Jonathan Finlayson: Moment and the Message (2013) Amir El Saffar Not Two (2016) Dan Weiss: Sixteen (2016) Dan Weiss: Fourteen (2014) Dan Weiss: Jhaptal Drumset Solo (2011) Dan Weiss: Tintal Drumset Solo (2005) Alexis Cuadrado: Poetica (2016) Adam Rudolph: Turning Towards the Light (2016) Jen Shyu: Jade Tongue (2009) Patrick Cornelius: While We’re Still Young (2016) Patrick Cornelius: Maybe Steps (2011) Ganesh Kumar: Endless Beats (2015) Jane Monheit: Surrender (2007) Jane Monheit: The Season (2005) Jane Monheit: Taking a Chance on Love (2004)

Explanation of issue: Current discography is innacurate and out of date. References supporting change: www.milesokazaki.com/bio-full/

Milesokazaki (talk) 17:26, 1 September 2019 (UTC)

Reply 01-SEP-2019

  Wrong venue  

• Please make your request on the talk page of the article where you're requesting the changes be made.
• Your request will also require the addition of source references which confirm the information that is requested to be added.

Regards,  Spintendo  18:31, 1 September 2019 (UTC)

Hi, this page is about me. But I don't understand how all this stuff works. I was just hoping that I could make it accurate, I don't care about personal promotion. Maybe the discography could be fixed - that's just facts, not opinion.

Milesokazaki (talk) 01:26, 6 September 2019 (UTC)