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Q p. 668

https://books.google.co.uk/books?id=dStYAAAAcAAJ&pg=PA216

Text[edit]

Where are they gone, the old familiar faces?

I had a mother, but she died, and left me,
Died prematurely in a day of horrors—
All, all are gone, the old familiar faces.

I have had playmates, I have had companions,
In my days of childhood, in my joyful school-days,
All, all are gone, the old familiar faces.

I have been laughing, I have been carousing,
Drinking late, sitting late, with my bosom cronies,
All, all are gone, the old familiar faces.

I loved a love once, fairest among women;
Closed are her doors on me, I must not see her—
All, all are gone, the old familiar faces.

I have a friend, a kinder friend has no man;
Like an ingrate, I left my friend abruptly;
Left him, to muse on the old familiar faces.

Ghost-like, I paced round the haunts of my childhood.
Earth seemed a desart I was bound to traverse,
Seeking to find the old familiar faces.

Friend of my bosom, thou more than a brother,
Why wert not thou born in my father's dwelling?
So might we talk of the old familiar faces—

How some they have died, and some they have left me,
And some are taken from me; all are departed;
All, all are gone, the old familiar faces.

Interpretation[edit]

Lucas Life p. 129

Lucas Letters p. 121

Courtney pp. 76, 164

Composition[edit]

"The Old Familiar Faces" was written in January 1798 in circumstances Lamb himself described in a note to his friend Marmaduke Thompson.[1]

I spent an evening about a week ago with Lloyd. White, and a miscellaneous company was there. Lloyd had been playing on a pianoforte till my feelings were wrought too high not to require Vent. I left em suddenly & rushed into ye Temple, where I was born, you know – & in ye state of mind that followed [I composed these] stanzas. They pretend to little like Metre, but they will pourtray ye Disorder I was in.[2]

The disorder Lamb mentions may have been caused by a deterioration in Mary's mental health which had culminated in her having to be put into confinement, or perhaps by their father's decline in physical health.[3] The loose metre he apologises for can be interpreted as a reminiscence of the dactylic metre he and Coleridge had studied in Latin verse at school,[4] though he may also have been influenced by the unstressed final syllables which characterise the Jacobean playwright Philip Massinger's works.[5]

Publication[edit]

Lamb published "The Old Familiar Faces", along with six others of his own poems and more by his friend Charles Lloyd, in their Blank Verse (1798).[6] He reprinted it in The Works of Charles Lamb (1818),[7] but without the opening four lines referring to Mary's killing of their mother, doubtless having come to the conclusion that those events were no business of the reading public.[8] Later anthologies have often printed the poem in this curtailed form.[9]

Criticism[edit]

Blunden p. 57

Ward p. 143

Lucas Life p. 129

Courtney pp. 63, 159, 163-164, 233

Lamb's "most successful poem". https://books.google.co.uk/books?id=Bb_1DwAAQBAJ&pg=PA195

Graves pp. 54-57

https://www.charleslambsociety.com/CLSBulletin(1973-today)/Issue%20131%20(July%202005).pdf p. 63

Settings[edit]

https://www.lieder.net/lieder/get_text.html?TextId=43324

https://discover.libraryhub.jisc.ac.uk/search?author=&title=old+familiar+faces&publisher=&publisher-place=&isn=&date=&subject=&map-scale=&keyword=

Citations[edit]

References[edit]

  • Lucas, E. V., ed. (1935). The Letters of Charles Lamb to Which Are Added Those of His Sister Mary Lamb. New Haven: Yale University Press. Retrieved 22 May 2024.

External links[edit]


Category:1798 poems Category:English poems Category:Works by Charles Lamb