Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

Selected article

Raising the Flag on Iwo Jima, by Joe Rosenthal of the Associated Press

Raising the Flag on Iwo Jima (Japanese: 硫黄島の星条旗, Hepburn: Iōtō no Seijōki, lit.'The Stars and Stripes on Iōtō') is an iconic photograph of six United States Marines raising the U.S. flag atop Mount Suribachi during the Battle of Iwo Jima in the final stages of the Pacific War. The photograph, taken by Joe Rosenthal of the Associated Press on February 23, 1945, was published in Sunday newspapers two days later and reprinted in thousands of publications. It won the Pulitzer Prize for Photography and was the model for the Marine Corps War Memorial in 1954, dedicated to honor all Marines who died in service since 1775. The memorial, sculpted by Felix de Weldon, is located in Arlington Ridge Park, near the Ord-Weitzel Gate to Arlington National Cemetery and the Netherlands Carillon. The photograph has come to be regarded in the United States as one of the most recognizable images of World War II.

The flag raising occurred in the early afternoon, after the mountaintop was captured and a smaller flag was raised on top that morning. Three of the six Marines in the photograph—Sergeant Michael Strank, Corporal Harlon Block, and Private First Class Franklin Sousley—would be killed in action during the battle; Block was identified as Sergeant Hank Hansen until January 1947 and Sousley was identified as PhM2c. John Bradley, USN, until June 2016. The other three Marines in the photograph were Corporals (then Privates First Class) Ira Hayes, Harold Schultz, and Harold Keller; Schultz was identified as Sousley until June 2016 and Keller was identified as Rene Gagnon until October 2019. All of the men served in the 5th Marine Division on Iwo Jima. (Full article...)
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Selected picture

Intentional camera movement
Intentional camera movement
Intentional camera movement
Credit: Colin
Intentional camera movement is a photography technique in which a camera is moved during the exposure for a creative or artistic effect.

Selected quote


When I've painted a woman's behind so that I want to touch it, then it's finished!
Pierre-Auguste Renoir, Vollard, Ambroise (1925). Renoir: an initimate record. Translated by Van Dooren, Harold L.; Weaver, Randolph T. New York: Alfred A. Knopf. p. 57. OCLC 631984646.


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Selected biography

Jacob Isaackszoon van Ruisdael (Dutch pronunciation: [ˈjaːkɔp fɑn ˈrœyzˌdaːl] ; c. 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular.

Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man. After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls. (Full article...)
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General images

The following are images from various visual arts-related articles on Wikipedia.

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