The 1950s (pronounced nineteen-fifties; commonly abbreviated as the "Fifties" or the "'50s") (among other variants) was a decade that began on January 1, 1950, and ended on December 31, 1959.
Parliamentary elections were held in Poland on 20 January 1957. They were the second election to the Sejm – the unicameral parliament of the People's Republic of Poland, and the third ever in the history of Communist Poland. It took place during the liberalization period, following Władysław Gomułka's ascension to power. Although conducted in a more liberal atmosphere than previous elections, they were far from free. Voters had the option of voting against some official candidates; de facto having a small chance to express a vote of no confidence against the government and the ruling Communist Polish United Workers Party. However, as in all Communist countries, there was no opportunity to elect any true opposition members to the Sejm. The elections resulted in a predictable victory for the Front of National Unity, dominated by the PZPR.
While the elections were a clear victory for Gomułka, they did not guarantee lasting changes in the Polish society. Gomułka's rule was somewhat more humane than that of his predecessor, hardline Stalinist Bolesław Bierut, and enjoyed moderate support during the first few years after the election in the "little stabilization" period of 1957–1963. However, by the mid-1960s it faced opposition from the competing factions in the PZPR itself. Coupled with growing popular opposition to Communist rule, Gomułka would be removed from power in the aftermath of the 1968 political crisis and the Polish 1970 protests. (Full article...)
The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. The simplistic musical score centres on the dies irae. (Full article...)
The title is taken from the painting Le Déjeuner sur l'herbe by Édouard Manet. The female lead in Picnic on the Grass was the first major role for Rouvel, who due to an unusual contract would not appear in another film until 1963. Filming took place around Renoir's childhood home in Provence, and inspiration came from the impressionist paintings of his father, Pierre-Auguste Renoir. The filming technique was influenced by live television and involved multiple cameras and direct audio recording. (Full article...)
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The Hideous Sun Demon (sometimes billed as The Sun Demon, or in the UK as Blood on His Lips) is a 1958 American science fictionhorror film produced, directed, and cowritten by Robert Clarke, who also starred in the title role. It also stars Patricia Manning, Nan Peterson, Patrick Whyte, and Fred La Porta. The film focuses on a scientist (portrayed by Clarke) who is exposed to a radioactive isotope and soon finds out that it comes with horrifying consequences.
The film was inspired by the financial success of The Astounding She-Monster, in which Clarke had starred earlier that year. The crew was made up of University of Southern California film students, while the cast consisted of unknowns in addition to Clarke's family and friends. Shooting took place under three different cinematographers over 12 consecutive weekends. Originally budgeted at $10,000, the film ended up costing $50,000. Distributed by Clarke's own Pacific International Pictures, The Hideous Sun Demon premiered on August 29, 1958 as part of a double bill with Roger Corman's Attack of the Crab Monsters. The film received mostly negative reviews upon its release, but has since become a cult film and has been referenced and parodied many times. An unauthorized sequel, the 1965 short filmWrath of the Sun Demon, was produced by Donald F. Glut. Two redubbed versions of the original film have been released: the comedic Hideous Sun Demon: Special Edition and What's Up, Hideous Sun Demon (also known as Revenge of the Sun Demon), the latter of which was produced with Clarke's permission. (Full article...)
Production began after the success of Mayabazar (1957), with M. S. Chalapathi Rao and Jagannadham the film's executive producers. Marcus Bartley was the director of photography. S. Rajeswara Rao composed the soundtrack and background score. G. Kalyanasundaram and K. Radhakrishna edited the film, and Madhavapeddi Gokhale and Kaladhar were its art directors. The film is shown almost entirely in black and white, with the exception of a dance sequence filmed in Gevacolor. (Full article...)
The film is loosely based on the story of Veerapandiya Kattabomman, the 18th-century South Indian king who rebelled against the East India Company. It was an adaptation of the play of the same name by Sakthi T. K. Krishnasamy which featured Sivaji Ganesan as the title character, and premiered in August 1957. Principal photography began in October the same year, and took place mainly in Jaipur and Madras (now Chennai) until late 1958. This was the first full-length Tamil film released in Technicolor. (Full article...)
The film's iconic soundtrack was written by songwriters Mike Stoller and Jerry Leiber. The dance sequence to the film's title song is often cited as "Presley's greatest moment on screen." (Full article...)
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Night of the Blood Beast is a 1958 American science-fictionhorror film about a team of scientists who are stalked by an alien creature, which implants its embryos in an astronaut's body during a space flight. Produced by exploitation filmmaker Roger Corman and his brother Gene, it was one of the first films directed by Bernard L. Kowalski and was written by first-time screenwriter Martin Varno, who was 21 years old. It starred several actors who had regularly worked with Roger Corman, including Michael Emmet, Ed Nelson, Steve Dunlap, Georgianna Carter and Tyler McVey. The film was theatrically released in December 1958 as a double feature with She Gods of Shark Reef.
Tiga Dara (Indonesian for Three Maidens) is a 1957 Indonesian musicaldrama film starring Chitra Dewi, Mieke Wijaya, and Indriati Iskak. Directed by Usmar Ismail for Perfini, the film follows three sisters who live with their father and grandmother. When the eldest sister, Nunung, shows no interest in marrying, her family tries unsuccessfully to find a husband for her. Nunung initially rejects the advances of a young man named Toto, who instead dates her younger sister. However, when he becomes jealous and travels from Jakarta to Bandung to profess his love, she agrees to marry him.
Produced using government credit and written in an attempt to cover Perfini's outstanding debts, Tiga Dara was intended to be commercial despite Ismail's disapproval of such works. After it was released on 24 August 1957, the film was an immense popular success, launching the careers of its stars, earning the highest box office returns of any Perfini film, and being screened in first-class cinemas. However, even though Tiga Dara was shown at the 1959 Venice Film Festival and received Best Musical Arrangement at the 1960 Indonesian Film Week, Ismail considered it a compromise of his initial vision for Perfini. (Full article...)
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Missamma (transl. Miss Madam) is a 1955 Indian Telugu-language romantic comedy film directed by L. V. Prasad. It was produced by Nagi Reddi and Chakrapani on Vijaya Productions banner. The film stars N. T. Rama Rao, Savitri, Akkineni Nageswara Rao and Jamuna. The script was adapted by Chakrapani from Rabindranath Maitra's Bengali play Manmoyee Girls' School. It revolves around two unemployed people — M. T. Rao and Mary — who pose as a married couple to obtain employment in a high school founded by Gopalam, a zamindar. As Rao and Mary fall in love, Gopalam's nephew A. K. Raju learns that Mary is Gopalam's missing elder daughter Mahalakshmi; she is unaware of her true identity.
Production began in early 1954 with P. Bhanumathi cast as the female lead, though she would eventually be replaced by Savitri. The film was simultaneously shot in Tamil as Missiamma, with an altered cast. Principal photography ended that December; filming was delayed because of Bhanumathi's exit after filming a few reels, and the difficulty of managing two casts simultaneously. C. P. Jambulingam and Kalyanam edited the film; Marcus Bartley was the cinematographer, and S. Rajeswara Rao composed the music. Missamma focused on social issues such as unemployment, corruption, and freedom of worship. (Full article...)
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Theatrical release poster
Warning from Space (Japanese: 宇宙人東京に現わる, Hepburn: Uchūjin Tōkyō ni arawaru, lit.'Spacemen Appear in Tokyo') is a Japanese tokusatsuscience fiction film directed by Koji Shima. Produced and distributed by Daiei Film, it was the first Japanese science fiction film to be produced in color and predates Daiei's most iconic tokusatsu characters, Gamera and Daimajin. In the film's plot, starfish-like aliens disguised as humans travel to Earth to warn of the imminent collision of a rogue planet and Earth. As the planet rapidly accelerates toward Earth, a nuclear device is created at the last minute and destroys the approaching world.
The film was one of many early Japanese monster films quickly produced after the success of Toho's Godzilla in 1954. After release, the film was met with negative reviews, with critics calling it "bizarre" and accusing it of using science fiction clichés. Warning from Space influenced many other Japanese science fiction films, such as Gorath. The film, along with other 1950s tokusatsu science fiction films, influenced director Stanley Kubrick, who would later direct 2001: A Space Odyssey. (Full article...)
In 1955, Edmund Goldman acquired the 1954 film from Toho and enlisted the aid of Paul Schreibman, Harold Ross, Richard Kay, and Joseph E. Levine to produce a revised version for American audiences. This version dubbed most of the Japanese dialogue into English, and altered and removed key plot points and themes. New footage was produced with Burr interacting with body doubles and Japanese-American actors in an attempt to make it seem like Burr was part of the original Japanese production. (Full article...)
I Vampiri (lit. The Vampires) is a 1957 Italian horror film directed by Riccardo Freda and completed by the film's cinematographer, Mario Bava. It stars Gianna Maria Canale, Carlo D'Angelo and Dario Michaelis. The film is about a series of murders on young women who are found with their blood drained. The newspapers report on a killer known as the Vampire, which prompts young journalist Pierre Lantin to research the crimes. Lantin investigates the mysterious Du Grand family who lives in a castle occupied by Gisele Du Grand who is in love with Lantin. She lives with her aunt, who hides her face in a veil, as well as the scientist Julian Du Grand, who is trying to find the secret to eternal youth.
The film was developed during a growth in the Italian film industry which allowed for the market to expand beyond a local Italian audience and would allow Italian film makers to explore new genres of filmmaking. Freda made a deal with producers at the Italian film studio Titanus to create a low budget horror film by writing a story in one day and filming it in two weeks. The producers agreed and Freda began filming. On the final day of shooting, Freda left the set which led to the cinematographer Mario Bava to direct the rest of the film, which changed various plot points and added the inclusion of stock footage. (Full article...)
The film's story concerns Quatermass's investigation of reports of hundreds of meteorites landing only in the Winnerden Flats area of the UK. His inquiries lead him to a huge industrial complex, strikingly similar to his own plans for a Moon colony. This top-secret facility is in fact the centre of a conspiracy involving the alien infiltration of the highest echelons of the British Government. Quatermass and his allies must now do whatever is necessary to defeat the alien threat before it is too late. (Full article...)
Fellini described La Strada as "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever". As a result, the film demanded more time and effort than any of his other works, before or later. The development process was long and tortuous; there were problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so that he could complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors. (Full article...)
Born and raised in Los Angeles, Monroe spent most of her childhood in a total of 12 foster homes and an orphanage before marrying James Dougherty at age sixteen. She was working in a factory during World War II when she met a photographer from the First Motion Picture Unit and began a successful pin-up modeling career, which led to short-lived film contracts with 20th Century Fox and Columbia Pictures. After a series of minor film roles, she signed a new contract with Fox in late 1950. Over the next two years, she became a popular actress with roles in several comedies, including As Young as You Feel and Monkey Business, and in the dramas Clash by Night and Don't Bother to Knock. Monroe faced a scandal when it was revealed that she had posed for nude photographs prior to becoming a star, but the story did not damage her career and instead resulted in increased interest in her films. (Full article...)
Image 3The 1950s was the beginning period of rapid television ownership. In their infancy, television screens existed in many forms, including round. (from 1950s)
Image 8Top, L-R: U.S. Marines engaged in street fighting during the Korean War, c. late September 1950; The first polio vaccine is developed by Jonas Salk. Centre, L-R: US tests its first thermonuclear bomb with code name Ivy Mike in 1952. A 1954 thermonuclear test, code named Castle Romeo; In 1959, Fidel Castro overthrows Fulgencio Batista in the Cuban Revolution, which results in the creation of the first and only communist government in the Western Hemisphere; Elvis Presley becomes the leading figure of the newly popular music genre of rock and roll in the mid-1950s. Bottom, L-R: Smoke rises from oil tanks on Port Said following the invasion of Egypt by Israel, United Kingdom and France as part of the Suez Crisis in late 1956; The Hungarian Revolution of 1956; The Soviet Union launches Sputnik 1, the first artificial satellite to orbit the Earth, in October 1957. This starts the Space Race between the Soviet Union and the United States. (from 1950s)
Image 10The creation and expansion of many multinational restaurant chains still in existence today, including the likes of McDonald's (as a franchise), IHOP, Pizza Hut and Burger King, all occurred in the 1950s. (from 1950s)
Image 11The jukebox was particularly popular in the 1950s, and was used as entertainment in public establishments such as diners and malt/soda shops. (from 1950s)
Image 12Motorcycle clubs became more prominent in the 1950s. Pictured is a vintage 1950s motorcycle toy. (from 1950s)
Image 13An American family watching television together in 1958. (from 1950s)
Image 16Pez candies were released in the 1950s, and became well known in pop culture. (from 1950s)
Image 17Castle Bravo: A 15 megaton hydrogen bomb experiment conducted by the United States in 1954. Photographed 78 miles (125 kilometers) from the explosion epicenter. (from 1950s)
Image 18Elvis Presley was the best-selling musical artist of the decade. He is considered as the leading figure of the rock and roll and rockabilly movement of the 1950s. (from 1950s)
Image 21Harry Belafonte in 1954, whose breakthrough album Calypso (1956) was the first million-selling LP by a single artist. (from 1950s)
Image 22Leading figures of the Nepali Congress and King Tribhuvan (from 1950s)
Image 23In the 1950s lengthy poodle skirts were popular with women, as were leather jackets with men. Pictured is a 1950s leather jacket label. (from 1950s)
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