File:M. Louise Stanley Truncis Naribus (Faces Without Noses) 2014.jpg
M._Louise_Stanley_Truncis_Naribus_(Faces_Without_Noses)_2014.jpg (348 × 286 pixels, file size: 167 KB, MIME type: image/jpeg)
Summary[edit]
_2014.jpg&action=edit§ion=1){kind=link}
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Painting by M. Louise Stanley, Truncis Naribus (Faces Without Noses) (acrylic on canvas, 36" x 44", 2014). The image illustrates a key later body of work in M. Louise Stanley's career: her history painting, documenting contemporary issues and follies through large-scale, elaborately coded allegories. These works relied heavily on her closely guarded sketchbooks, and both types of work were presented together exhibitions in prominent venues, discussed in art and daily press publications, and collected in major art institutions. |
|---|---|
| Source |
Artist M. Louise Stanley. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key later, distinct body of work in M. Louise Stanley's career: her history paintings documenting contemporary issues and follies through large-scale, elaborately coded allegories. This work featured send-ups of classical subjects, skewerings of male folly and female foibles, as well as works of unflinching social commentary addressing homelessness, tragic violence, and abuse of power, which critics compared to the satires of Daumier. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key late body of work, which relied heavily on her closely guarded sketchbooks and earned further recognition from major critics and institutions as both were exhibited together. Stanley's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by M. Louise Stanley, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of M. Louise Stanley//en.wikipedia.org/wiki/File:M._Louise_Stanley_Truncis_Naribus_(Faces_Without_Noses)_2014.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 21:53, 11 October 2019 | | 348 × 286 (167 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = M. Louise Stanley | Description = Painting by M. Louise Stanley, ''Truncis Naribus (Faces Without Noses)'' (acrylic on canvas, 36" x 44", 2014). The image illustrates a key later body of work in M. Louise Stanley's career: her history painting, documenting contemporary issues and follies through large-scale, elaborately coded allegories. These works relied heavily on her closely guarded sketchboo... |
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