File:Impressioni di Roma Federico Zandomeneghi.jpg

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Summary

Federico Zandomeneghi: Beggars on the steps of the Aracoeli monastery. Impressions of Rome   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Federico Zandomeneghi  (1841–1917)  wikidata:Q1355820 q:it:Federico Zandomeneghi
 
Federico Zandomeneghi
Alternative names
Zandò; Federigo Zandomeneghi; Frederico Zandomeneghi
Description Italian painter
Date of birth/death 2 June 1841 Edit this at Wikidata 31 December 1917 Edit this at Wikidata
Location of birth/death Venice Paris
Work location
Paris (1874–1917); Florence (1862–1866); Venice (–1864); Castiglioncello Edit this at Wikidata
Authority file
artist QS:P170,Q1355820
Title
Italian:
Mendicanti sui gradini del monastero Aracoeli. Impressioni di Roma

Beggars on the steps of the Aracoeli monastery. Impressions of Rome
title QS:P1476,it:"Mendicanti sui gradini del monastero Aracoeli. Impressioni di Roma"
label QS:Lit,"Mendicanti sui gradini del monastero Aracoeli. Impressioni di Roma"
label QS:Len,"Beggars on the steps of the Aracoeli monastery. Impressions of Rome"
Object type painting
object_type QS:P31,Q3305213
Description
Beggars on the steps of the Aracoeli monastery. Impressions of Rome (1872), by Federico Zandomeneghi
Date 1872
date QS:P571,+1872-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 79 cm (31.1 in); width: 168 cm (66.1 in)
dimensions QS:P2048,79U174728
dimensions QS:P2049,168U174728
institution QS:P195,Q150066
Place of creation Rome, Kingdom of Italy
References arthive.com
Source/Photographer see-art.ru
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1917, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1917, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Captions

Beggars on the steps of the Aracoeli Monastery. Impressions of Rome (1872). Oil on canvas, 79 x 168 cm (31.1 x 66.1 in). Pinacoteca di Brera, Milan, Italy

File history

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Date/TimeThumbnailDimensionsUserComment
current16:29, 16 September 2016Thumbnail for version as of 16:29, 16 September 2016800 × 373 (229 KB)Cavarrone{{Information |Description= ''Impressioni di Roma'' by Federico Zandomeneghi |Source= [http://see-art.ru/cms.ashx?req=Image&imageid=5541c7e2-bada-426f-9d32-4e7003c800ea&key=%CD%E8%F9%E8%E5%20%ED%E0%20%F1%F2%F3%EF%E5%ED%FF%F5%20%EC%EE%ED%E0%F1%F2%FB%F...
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