File:Eileen Cowin One Night Stand (clock flowers) 1977–8.jpg
_1977-8.jpg&redirect=no){kind=link}
Eileen_Cowin_One_Night_Stand_(clock_flowers)_1977–8.jpg (347 × 288 pixels, file size: 48 KB, MIME type: image/jpeg)
Summary[edit]
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 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Photograph by Eileen Cowin, (One Night Stand (clock/flowers), Photograph, 20" x 24", 1977–8). The photograph illustrates a key early period in Eileen Cowin’s work in the 1970s, when she gained wide notice for work exploring photography's conceptual and narrative boundaries through carefully staged, innuendo-laden images. This work and similar works were publicly exhibited in prominent venues, collected by major museums, and discussed by art critics and press in national art and news publications. |
|---|---|
| Source |
Artist Eileen Cowin. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key early period in Eileen Cowin's career: her "One Night Stand" series of interior tableaux from the late 1970s, through she began to gain notice on both United States coasts. This work explored photography's conceptual and narrative boundaries through carefully staged, playfully sparse, innuendo-laden compositions shot in the flat, unaffected tones and color of the day's minimalist, non-theatrical aesthetic that offered fragmented clues intimating a sexual tryst. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key early developing stage in her practice and its impact. Cowin’s work of this type and this work in particular gained her wide recognition, was collected by major museums, and is discussed extensively in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Eileen Cowin, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Eileen Cowin//en.wikipedia.org/wiki/File:Eileen_Cowin_One_Night_Stand_(clock_flowers)_1977%E2%80%938.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 14:58, 14 July 2019 | | 347 × 288 (48 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Eileen Cowin | Description = Photograph by Eileen Cowin, (''One Night Stand (clock/flowers)'', Photograph, 20" x 24", 1977–8). The photograph illustrates a key early period in Eileen Cowin’s work in the 1970s, when she gained wide notice for work exploring photography's conceptual and narrative boundaries through carefully staged, innuendo-laden images. This work and similar works were publicly ex... |
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