Portal:Visual arts
Introduction
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.
Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)
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The Entombment is a glue-size painting on linen attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych. While the altarpiece remains lost as a complete set, it is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller flanking panels would have been paired in a format similar to Bouts's 1464–1468 Altarpiece of the Holy Sacrament. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost. The Entombment was first recorded in a mid-19th-century inventory in Milan, and has been in the National Gallery, London, since its purchase on the Gallery's behalf by Charles Lock Eastlake in 1861.
The painting is an austere but affecting portrayal of sorrow and grief. It shows four female and three male mourners grieving over the body of Christ. They are, from left to right, Nicodemus, Mary Salome, Mary of Clopas, Mary, the mother of Jesus, John the Evangelist, Mary Magdalene and Joseph of Arimathea. (Full article...)Selected picture
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“ | The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. | ” |
— Marcel Duchamp, The Creative Act (1957) |
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Selected biography
Gengoroh Tagame (田亀 源五郎, Tagame Gengorō, born February 3, 1964) is a pseudonymous Japanese manga artist. He is regarded as the most prolific and influential creator in the gay manga genre. Tagame began contributing manga and prose fiction to Japanese gay men's magazines in the 1980s, after making his debut as a manga artist in the yaoi (male-male romance) manga magazine June while in high school. As a student he studied graphic design at Tama Art University, and worked as a commercial graphic designer and art director to support his career as a manga artist. His manga series The Toyed Man (嬲り者, Naburi-Mono), originally serialized in the gay men's magazine Badi from 1992 to 1993, enjoyed breakout success after it was published as a book in 1994. After co-founding the gay men's magazine G-men in 1995, Tagame began working as a gay manga artist full-time.
For much of his career Tagame exclusively created erotic and pornographic manga, works that are distinguished by their graphic depictions of sadomasochism, sexual violence, and hypermasculinity. Beginning in the 2010s, Tagame gained mainstream recognition after he began to concurrently produce non-pornographic manga depicting LGBT themes and subject material; his 2014 manga series My Brother's Husband, his first series aimed at a general audience, received widespread critical acclaim and was awarded a Japan Media Arts Festival Prize, a Japan Cartoonists Association Award, and an Eisner Award. Tagame is further noted for his contributions as an art historian, through his multi-volume art anthology series Gay Erotic Art in Japan. (Full article...)Did you know (auto generated) -
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